Wednesday, August 27, 2014

Worldbuilding for Storytellers: Part III

Found on-site at http://3oneseven.com/globe/

Hello!  It’s good to see you back for Part 3 (of a 3 part series) on Wordbuilding.  If you managed to miss the previous discussions, get your ass over to Part 1 and Part 2 right now, so all of this makes some sense! (In the spirit of transparency, this post and series originally appeared on the now-defunct blog, RoosterWords)
Worldbuilding: Bane or Benign Exercise?

Writers love their worlds, especially those in fantasy and science fiction.  We have to- we live in them for long periods, soaking in the essence and different flavors we have derived of our own obsessive volition.  All of us must build these worlds, carefully, with great attention to the details.  For some writers, this is the best part of the writing process…creating something out of nothing, ignoring all laws of science, alchemy, and common sense.  For others, worldbuilding is the representation of long-running nightmares.  Where do you fit in?
The End?
You’ve come a long way.  The map to your dream world is in your hand (or on your desk, saved on your computer, whatever).  You’re proud of it, and so you should be.  Characters have a place to go, and a reason to go there.  What’s left?
The painting needs a finishing touch.  Something to protect it from the outside world and all its grubby fingers and damaging wear-and-tear.  A gloss or matte finish.  Maybe even some touchup paint in a few key areas.  Here are those five key areas to look at when you’ve built your perfect world:
1.     Races/Civilizations: Yes, you’ve probably been over this already.  However, this is your last chance before you begin drumming on your keyboard (writing with ink-stained fingers?) to ensure all your chosen races and/or civilizations are accounted for.  Make sure each has a place on your map, even if they aren’t quarantined there.  It’s also good to understand how each race will react to the others upon meeting in the story.  If they never do, that’s fine; but understanding how they WOULD will allow you to reference the reaction within your story.

2.     Changing World: Worlds change, even the real, solid earth we live and breathe on.  This is no less true in fiction, especially in fantasy or sci-fi worlds where things have a tendency of getting blown up in large chunks (read: continents).  If this will happen in your story, make sure you’ve got a way to acknowledge those changes on your map.  While the reader doesn’t necessarily need to know before it happens, the writer benefits greatly from the pre-determination.

3.     Series of Events: You should go back to your timeline and check for any nuisances or events which now seem out of order.  You know your world better now and there just may be a contingency, which a fan will later exploit (publicly or not).  Take the time now and be sure you know you history!

4.     Economic Oppression: One of the most difficult things I have had the displeasure of discovering is the economics of my regions.  Being that I work in fantasy, I have a hard time believing all my cultures use the same monetary system.  Creating an economy may come naturally for you.  If so, you just avoided hours of wide-eyed, psychotic cussing.  Y’know, the kind where everybody within two miles of you is wondering what the hell just happened?  No?  May just be my neurosis.  The point is, to remain relatively believable; you must have rich, poor, and middle “classes.”  This goes a long way towards endowing each person in your story with at least some character…based on their wealth.

5.     Start Writing: You’ve done it!  Ain’t that masterpiece looking freakin’ awesome?  All that’s left is, well, everything else that goes into writing…writing, editing, reading, editing, rewriting, editing, query, query, query, PUBLISH!  Hey, you didn’t choose this profession because it was easy or because it made sense, did you?  Maybe that should have been your very first question!
 
by hextupleyoodot @ http://www.deviantart.com/art/Embers-374439119
Download a copy of my “Story-Boarding Room” that I use for my own works.
How do you feel about the Worldbuilding For Storytellers series?  How did I help you; and could you use more information to deepen your understanding?  Comment below so I can work to make your world perfect!

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